The build is a mixture of metal and plastic, as is the norm for many lenses, but this doesn’t detract from the premium look and feel you’d expect from a G Master lens. The same goes with this all-new 35, it feels just like other GM lenses we’ve grown to love.Īs a G Master lens, the 35mm f/1.4 is dust- and weather-resistant, with seals on all buttons and rings, so you can be confident when using the lens in the outdoors, even with the beautiful Scottish weather we have on our Sony workshops. If you’ve used a G Master lens before then you’ll know what to expect, they are all top-notch with a solid build and market-leading optics.
#Sony 35mm 1.4 manual#
Minimum focus distance: 0.27m (0.25m manual focus)ĭimensions: 76×96mm (smaller than the Distagon) Lens configuration: TBC (including two XA and two ED elements)Īperture blades: 11 (rounded diaphragm opening) I shot a few interior images at home and went for a walk with local photographer Alec Brown around Edinburgh. With the current pandemic happening around us, and the short availability of the lens, I only managed to get a day with it. Now, this won’t be a normal review where I’ve experimented with the lens across the Namibian desert or on a Volcano in Indonesia.
There is also the Zeiss Batis 2/40 CF, a cracking lens. Sorry, I should have probably mentioned the Sigma Art range in there.
The Distagon was launched in summer 2016 and has been the go-to lens for many, including myself. It’s a lens which we all knew would come but had no idea when that day would be.įor many of you reading this, you’re probably trying to work out if you should go for the Sony FE 35mm F1.8, the Sony (Zeiss) Distagon T* FE 35mm F1.4 or this new release. So the Sony FE 35 1.4 GM is finally here.
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